How could someone with a page on revolutionary fashion not write about Sofia Coppola‘s vibrant and grandiose vision of Marie Antoinette? It’s no wonder that an ex-intern at Chanel would imbibe the film with such exquisite taste. Coppola worked with costume designer Milena Canonero to recreate the modern version of the teen queen’s extravagant wardrobe – Milena then went on to win the Academy Award in 2006. Despite the centuries of controversy surrounding the French Revolution and the events leading up to it, Sofia envisioned Marie Antoinette and her compatriots simply as normal teenagers (this sentiment is evident by the placement of powder blue converse in a pile of period shoes). Unaware of the goings-on around them and selfishly foolish, but not purposely so…just typical of kids their age. Completely understandable since Antonia was only 14 when she married into French royalty. Perhaps because of my unwavering passion for shoes and accessories, I really focused on them as the center of the film’s whirlwind of stylized fashions. Beautiful, candy-colored, and delicately adorned, the shoes of Coppola’s Marie Antoinette forever dance in my head. Manolo Blahnik could not have designed a more striking collection…if only he would make ready-to-wear versions. And oh the jewelry! Most of the pieces are authentic 18th century and (naturally) glittering with age-old diamonds and stones. Since the real focus of the film (besides the actual plot) is the seemingly endless variation of opulent gowns, I suppose I should really move on. Although Canonero adorned most of the royals in silks, taffeta, and satin, she reserved gorgeously preserved 18th century lace for Marie Antoinette’s gowns. The gowns, although not precisely held to the fashion guidelines of the 1700s, were designed after the original shapes and mostly sewn in ateliers in Rome’s Cincecitta studios. Despite the fact that all of the costumes could hang in museums, there were a few that struck me breathless. The black masquerade costume made of what looks like French silk tulle, the famously innocent rosebud dress, and this yellow and pink gown are my favorites if I had to choose. The palette is creamy…butter yellow, cloudy blue, pistachio green, and rose pink. Sugary sweet. Although the Queen is depicted as wearing decadently decorated gowns for most of the film, she really preferred much simpler dresses. This taste for bland fashion revolutionized the trends of the time and brought about a different style of dress during the Revolution. This film’s breathtaking, indie beauty and the intricacy of the edible costumes make me pistachio with envy. I would die a thousand deaths at the guillotine for a chance to own Mme. Antoinette’s fur Blahniks.